Monkey Chatter of the Mind
Ahoy! I'm Becca, and these are the inane ramblings and discoveries of a twenty something South African Jewish Director/Actor/Professional Bunburyist living and studying in New York. I am decidedly ENFJ, an Ally, very liberal, and am generally tolerant of everything besides willful ignorance. Occasionally, I wax rhapsodic about olives.
15
May
2013

schmergo:

betzine:

okay yeah well when put like that I agree

WIN!

I really do love that David Tennant Hamlet, though. It’s thrilling, tense, and emotionally gripping: essentially everything you’d want in a Hamlet. But most Hamlets that I’ve seen aren’t like that. 

The thing I like best about the David Tennant Hamlet is that it shows what a manchild Hamlet is. Love him or hate him, he certainly is a loose cannon. (I loved that production. It felt really… real?)

Oh totally. It’s extremely intimate and Hamlet needs intimacy. Most Shakespeare plays can live comfortably in both epic and intimate worlds, but Hamlet is really best when it’s an intimate experience.

15
May
2013
okay yeah well when put like that I agree

WIN!

I really do love that David Tennant Hamlet, though. It’s thrilling, tense, and emotionally gripping: essentially everything you’d want in a Hamlet. But most Hamlets that I’ve seen aren’t like that. 

15
May
2013
b b b b b b b but

I know, I know, but those soliloquies weigh down the play like 10 ton concrete bricks. Hamlet’s planning and doing things and then he just stops and ponders life and death. And it doesn’t just happen once. IT HAPPENS FOUR OR FIVE TIMES. There is a distinct reason why there are so many different versions of Hamlet. I don’t think Shakespeare was ever satisfied with the play as we know it. I think he kept coming back and adding things and taking them back out because he was exploring new ideas and dramatic concepts. But he never did fully flesh out those ideas. So the play still feels raw and a bit unformed to me. Compare Hamlet with a play like King Lear. King Lear is still emotional and deeply philosophical, but the ideas come out through the action and what the characters experience instead of a fairly unlikable 20 something graduate student monologuing for far too long.  The David Tennant Hamlet is my favorite Hamlet because they cut that play down to a tight two-ish hours. You still get the ideas, but the play moves. And it’s really, really great when it does.

15
May
2013

unsuborsuper:

betzine:

Good LORD, if you hate-direct Hamlet I WANT TO BE IN IT. Like. I actually cannot explain how hard my brain just exploded at this idea.

I’ve been thinking about this for five minutes now and I’m thinking that me hate-directing Hamlet might result in a fucking great production. The problem with most Hamlet’s that I’ve seen is that the directors, actors, and crew are so precious and overly reverent with the script because it’s THE GREATEST PIECE OF LITERATURE IN THE ENGLISH CANON. And I think that’s bull shit. I don’t think Hamlet even rates in Shakespeare’s top 5 plays. I think someone needs to direct a Hamlet that gives zero fucks about it being a great or important play. 

AND YES YOU MUST BE IN IT

NO THAT IS EXACTLY WHAT OUGHT TO BE DONE WITH HAMLET. And I do think it’s fantastic, but you can’t approach it like it’s fantastic if you’re going to stage it, because that is old and tired and overwrought and awful. You can’t fucking afford to be precious with Shakespeare and basically yes we really need to do this.

A-FUCKING-MEN.

COME MAKE THEATRE WITH ME THIS VERY INSTANT

15
May
2013
I’ve always wanted to direct a Hamlet without the soliloquies, except I feel like if the actor playing Hamlet didn’t kill me the audience would.

AND THAT’S THE PROBLEM. The audience sits and waits on baited breath for those famous fucking soliloquies instead of actually letting themselves get swept up in the story. The same is true of Romeo and Juliet, but I’ve seen more R&J’s successfully deal with the famous-ness of the play than Hamlet’s. Also, Romeo and Juliet is a far more active play than Hamlet, but that’s besides the point. When I eventually hate-direct Hamlet, I’m just going to cut the crap out of the soliloquies. I don’t care how pretty they are, most of them do nothing to move the story forward. 

15
May
2013
Good LORD, if you hate-direct Hamlet I WANT TO BE IN IT. Like. I actually cannot explain how hard my brain just exploded at this idea.

I’ve been thinking about this for five minutes now and I’m thinking that me hate-directing Hamlet might result in a fucking great production. The problem with most Hamlet’s that I’ve seen is that the directors, actors, and crew are so precious and overly reverent with the script because it’s THE GREATEST PIECE OF LITERATURE IN THE ENGLISH CANON. And I think that’s bull shit. I don’t think Hamlet even rates in Shakespeare’s top 5 plays. I think someone needs to direct a Hamlet that gives zero fucks about it being a great or important play. 

AND YES YOU MUST BE IN IT

15
May
2013
16
Apr
2013
15
Apr
2013
14
Mar
2013

shutuphamlet:

I don’t know how popular the idea would be, but I’d like to see a Hamlet where they actually look like they’ve been poisoned. Instead of this really noble-looking death where Hamlet sort of sighs his last words and then shuts his eyes, you’d see him struggling to move or talk properly, or convulsing, or speaking those last words between spells of weakly coughing up blood. Just something more visceral and human looking I guess. With poor Horatio desperately trying to do anything to at least ease his prince’s passing but being able to do nothing except hold him. And then ‘the rest is silence’ has even more pathos, because his last moments are unrelentingly torturous just like his recent life has been and you’d really be able to understand that he finally perceives if not something ’good’ than at least an escape in the next world.
I’ve just been watching Fatal Attractions and it described how this woman died of a snakebite and when her landlady entered her house there was blood literally everywhere but mostly in the sink because the venom was like an anticoagulant or whatever and was making her bleed out of every orifice. It just really struck me and I thought it’s be a quite different way to treat the final scene is all.

Say hello to one of my major theatrical pet peeves. I know that Shakespeare writes these beautiful, poetic death scenes (Hamlet’s possibly being the most poetic), but people are still dying and they die in the worst ways people can die. I’m sick of seeing actors sacrifice actually selling the circumstances of the story because they want to sound pretty.  Shakespeare is meant to be snarled, spat, howled, growled, sung, wailed, and OTHER VERBS AS WELL!  I want to see Hamlet struggle to talk as his body shuts down from the inside out. I want to see a Hamlet who can barely make it through “the rest is silence.” It’s not a pretty death and Hamlet isn’t a pretty story. For fuck’s sake, let Shakespeare be ugly.

14
Mar
2013

to-do-you-or-not-to-do-you:

Alternate ending to Hamlet: Hamlet captures the pirate ship and claims captaincy, returning to Denmark, where, in an epic battle, he and his pirates kill Claudius and save Denmark. Hamlet then takes Horatio and they sail the seven seas. Hamlet becomes the original Dread Pirate Roberts and Horatio is his first mate. 

01
Mar
2013
http://Ralph Fiennes and Damian Lewis

fuckyeahhamlet:

justaweirdgirlintorandomfandoms:

”This fight was getting faster and faster, because we were getting kind of cocky. We were just a bunch of 20-year-old, horny Englishmen on Broadway having the time of our life in a smash-hit show, so we were staying out later and later and later. Finally, it just got to a point where the thing was going faster and faster, and Ralph was thrusting at me, and I was just sort of parrying. And then one night, he came at me particularly hard and I sort of went, in a tired way, ‘Oh, God’… and the pommel came back and hit me right above the eye.    

“As soon as it hit me, I thought, That feels bad. I know what a cut feels like, and that feels bad. But it came at the point of the fight where Hamlet went that way, Laertes went that way, so Ralph didn’t see what he’d done. I fell on the floor and I came up like this, and I was like the Bride of Dracula, with blood pouring down the side of my face.    

“And he didn’t stop acting! It’s amazing. But he just came closer and closer to me with those piercing blue eyes. And he kept going with Shakespeare, and he went [in a whisper], ‘Are you OK?’ And I said, ‘I dunno, you tell me!’… And then all I could hear in the audience were people going [in an American accent], ‘That’s amazing, honey, how did they do that?’”  
 

-Damian Lewis

image

15
Jan
2013

indigostohelit:

we interrupt this blog to remind you that in shakespeare’s day, and hamlet’s, suicide was guaranteed to send you to hell

and if you died without getting your last rites, etc, there was a good chance you would go to hell

so when horatio says to hamlet, “i am more an antique roman than a dane; here’s yet some liquor left”

what he is saying is, “i would rather follow you to hell than keep my chance of heaven without you”

this has been a post

This is also relevant to Act 3, Scene 3 when Hamlet has the opportunity to kill Claudius, but because Claudius is praying at the time, Hamlet decides not to kill him.  Killing Claudius then would mean that his sins were expunged and would go to heaven.  Hamlet’s father got no such luck:

Now might I do it pat, now he is praying; 
And now I’ll do’t. And so he goes to heaven, 
And so am I reveng’d. That would be scann’d. 
A villain kills my father; and for that, 
I, his sole son, do this same villain send 
To heaven. 
Why, this is hire and salary, not revenge! 
He took my father grossly, full of bread, 
With all his crimes broad blown, as flush as May; 
And how his audit stands, who knows save heaven? 
But in our circumstance and course of thought, 
‘Tis heavy with him; and am I then reveng’d, 
To take him in the purging of his soul, 
When he is fit and seasoned for his passage? 
No. 
Up, sword, and know thou a more horrid hent. 
When he is drunk asleep; or in his rage; 
Or in th’ incestuous pleasure of his bed; 
At gaming, swearing, or about some act 
That has no relish of salvation in’t- 
Then trip him, that his heels may kick at heaven, 
And that his soul may be as damn’d and black 
As hell, whereto it goes.

Ophelia’s suspected suicide is also why she’s not buried in consecrated ground.

19
Dec
2012

professorfangirl:

00qmates:

Ben Whishaw: Hamlet’s advice to the players

Hamlet (2004) Clip

WHERE THE EVERSCREAMING FUCK DID THIS DECENT CLIP OF WHISHAW’S HAMLET COME FROM? SOURCE GODDAMN IT.

You don’t understand. I am dying the death over here.

I NEED THE REST OF THIS LIKE I NEED OXYGEN

18
Nov
2012
thegeekyblonde:

alwaysiambic:

Ophelia by Russian painter, Konstantin Yegorovich Makovsky (1839-1915)

thegeekyblonde:

alwaysiambic:

Ophelia by Russian painter, Konstantin Yegorovich Makovsky (1839-1915)

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